The movie about the seven deadly sins continued to evoke fear, shaping the narrative with a terror deeply rooted in human emotions. While not explicitly religious, it contained significant symbolism, tapping into universal themes rather than a specific religious background. Amidst its simplicity, what was strikingly real were the fragile convictions, all intertwined with criminology, reflecting the fear born of the emerging notion that many truths are transient ideas leading to a desperate end.
-It's a palpable hatred, - Billy commented after finishing reading the script.
-I don't like horror movies. They're different from regular films; they delve into things that shouldn't be part of our lives. It's gloomy and sinister, - Gwyneth said, visibly shaken by what she had read.
In contrast to Brad Pitt's behavior in the movie about a person on the edge, Billy's portrayal was more nuanced. He characterized his recklessness in various activities but refrained from being overly dramatic in his scenes. Mills was depicted as affectionate, proud, noble, and brave, but nowhere was he portrayed as foolish as depicted in some movies. He was calmer, a bit more confident. Billy attributes this to his preparation for the movie "Twelve Monkeys," where Brad had to focus on playing a character confined in a mental asylum. Performances contain nuances, and a single nuance can change the perspective of the entire idea. In his memories, Brad seemed somewhat nervous, somewhat agitated.
In contrast, Billy pauses, more subtle, behaving calmly, occasionally exalting aggressive behaviors, not specific to any occasion. Unlike other situations, where he appears aggressive, reckless, and impulsive based on the work of an older man, married and with behaviors of emotional blindness, this is the magic of acting.
The original ending of the first script had David Mills dying, but it has since been modified. The new ending is more critical to the audience, with the way the music emphasizes all the scenes. It's a detestable and tragic ending that has been revised five times and is now a secret.
-Don't worry; the movie is progressing at a good pace. David's got a quick draw, - Billy replied, receiving a kiss on the lips from Gwyneth.
-Let's stop talking about the movie today. I just want you to be with me, to love me deeply, and forget about everything we've seen, - Gwyneth said, showering Billy with kisses, each one a curious form of cinematic intimacy.
-I like the fact that we can keep acting together. You're a great actor; it seems impossible, but you move with naturalness, nothing surprising, but I truly appreciate that we continue to advance with the movie, - Billy replied, taking a moment by Gwyneth's side, resting his nose against her neck as she laughed gracefully. Through the intimate gesture they shared, he gently stroked the nape of her neck. They no longer had the long locks they once did; Billy preferred Gwyneth's hair cut short; it made her look more serious, stronger.
-You'll draw tonight. You should stay with me, take a break. I have a feeling that when we left in December, you spent too much time at your desk, and it's not good. You need your moments of joy, - Gwyneth said, pulling Billy close, planting small kisses on his lips, which were different from their usual affectionate displays. The unrestrained passion each engaged in was a far cry from the public personas they often portrayed.
-Work is always something bothersome to do. It's not unpleasant, but at times, I wish I didn't have to continue. A sabbatical year, free from all doubts, but it's the responsibilities that bind me. I have plans and several people under my care, many employees, executives, fans, and well, what motivates every man, - Billy said.
-My love, work should be subdued. You need to take a break. When you're older, you'll see that you need to take a breather. We can go to Zaragoza, a remote cottage in the countryside, for five days, just you and me, discreetly hidden, with only a select few knowing about our getaway, - Gwyneth suggested, placing gentle kisses on Billy's chin.
-You can do whatever you want with me. No one doubts that you're a well-behaved person, - the blonde whispered slowly, lightly nibbling on Billy's neck, as she often did.
-Your words are so sweet; you've made me tempted. I think I have some time after the movie; I don't believe there's any event, meeting, or place I need to attend, - Billy replied, embracing the blonde who laughed.
He could feel her laughter, how Gwyneth's chest trembled beneath her shirt. "It's a promise; let me take care of everything. The house is large, and a close friend will join us. We'll bake cakes in the morning and wake up almost at noon. Don't judge me; it's a desire for us to be together."
-If I commit to the trip, it has to be as private as possible. It would also be interesting to make some extra stops. What do you think about walking around Barcelona, going up to Lyon, and exploring some cities or towns? - Billy asked.
-Yes, whatever you say. We can ask for the family jet, - the blonde said, lying on his chest. - As long as it's a promise, although I have some work, nothing too demanding. -
Both rested in each other's arms.
Early in the morning, they continued with the shots, still reviewing, searching for a possible criminal, located in an empty pizzeria that was subsequently filled with extras. They would make a deal to gather information about the red lists.
The relationship with Morgan Freeman was mostly cordial; both operated from their perspectives. One is a married man, family-oriented, who takes life easy, without social pressures. The other is just starting; they are similar yet different.
-Be careful, - a lighting guy commented.
Billy sat with Morgan Freeman at the small table, both engrossed. In his thoughts, there was a slice of pizza in front of him. Who leaves pizza lying around?
-You're quite the great screenwriter, - Freeman remarked.
-You're right that I'm a screenwriter; I'm not sure how good I am at everything else, - Billy responded, helping himself to some pizza in front of him, satisfying his hunger. He hadn't eaten since the night before.
-The New York Times might say you're a great screenwriter, a content creator. There was recently an interview with some Pixar members about you as the lead screenwriter for the movie 'Toy Story,' - Freeman repeated.
-You're correct; I wrote a significant part of the script. Now everyone knows my life without me being present! – said Billy,
-I enjoyed it. I don't usually watch movies with company, but this was what the family needed, something sweet and accessible. Great film. As for being part of the press or not, take it easy. You can either do nothing or be part of the press. I prefer to stay on the sidelines and mingle on special occasions. No one wants an old man's life, although there's curiosity everywhere. – Morgan said.
-We all have a story to tell; it's just that we don't know how to tell it. Sometimes it requires a certain art, a connection that channels all the content. I'll look into the press stuff, but I'm not quite there yet, - Billy commented.
-I agree... everything in its own time... -
-We're starting in 5 minutes; everyone to your positions. -
-Billy, that pizza was for the team, - David Fincher said.