Jason watched Edward impassively.
Having played roles several times before, he knew exactly what to do when others thought he was in the know and he actually wasn’t.
It’s best to look directly into the other person’s eyes.
If you feel you can’t do that calmly, you can also move your gaze upward, fixing it on their hairline.
This causes a sense of urgency in the other person, and if their hairline is receding, the urgency doubles, prompting them to speak more quickly.
Of course, you can also pretend that they are bald.
This will not double their sense of urgency.
Jason, who could stand against a hundred men, had left an indelible impression on him.
Edward turned to look at Jason.
It was then that Edward realized that Jason’s gaze was not on the apartment building in front of them, but instead, he was looking at… the shorter building next door.